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Below his window sounded a whippoorwill's call. From the opposite side of the room came the long, regular snores of Anson. Billy sat up in bed and started to remove the tacks from the window screen.,

"You heard what I said, didn't you?" growled the challenger. "I'm goin' to lick you.",

She turned slowly, stern eyes looking above her glasses straight into his startled and apprehensive ones.,

"Hold on, Bill, wait a minute," Anson quavered. "I've changed my mind, I'll take the tie an' collar an' call it square."

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"Gosh! ain't I been trying," groaned Maurice. "My teeth won't keep still a'tall. Maybe I won't be one glad kid when we get out 'a here.",

"That's Elgin Scraff and Tom Holt comin' to look fer us," cried Maurice.,

The Aurora and the line-of-battle ship sailed so close that it needed a special vigilance on the part of Captain Weaver to preserve his schooner's spars from the yard-arms of the towering vessel within a biscuit toss. Much exertion of voice was therefore not necessary for conversation, and though Nelson occupied a platform high above the low deck of his schooner, his features were perfectly visible, and his voice fell as clear as though he stood beside those he addressed.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.